![]() ![]() I held the pencil with my right hand, and with the forefinger of my other hand on the tip of the pencil, I rolled the lead tip across the surface. For the hair I used a hard (HB) charcoal pencil. ![]() The strongest highlight beside the ear this is the only area with such a strong highlight so it has a lot of impact.Note the following charcoal drawing techniques: I did this to further refine things before adding any charcoal drawing techniques. Then I drew a second preliminary in pencil (below). Contour lines suggest structure of trumpet.Contour lines suggest texture of his handkerchief.Contour lines suggest facial structure.Contour lines suggest tight curly hair.Referring to the numbers on the preliminary drawing above: This first preliminary looks three dimensional because of carefully chosen lines. The difference is, gesture lines are done quickly, contour lines are done slowly. The rest of the lines can all be considered to be contour lines.īoth gesture lines and contour lines simply are lines based on close observation. Some of the lines, particularly those in the hand, were done quickly in order to get the feeling of movement. This one was drawn in ink (which is unforgiving since you can’t erase!) In either case, you must observe very carefully, and then translate those observations expressively onto the surface of your charcoal drawings.īefore applying any charcoal drawing techniques, you should make preliminary drawing pencil sketches. Others can easily translate what they see whether they are creating charcoal drawings from a photograph or drawing from a live model. Some people have a difficult time drawing from life because they find it hard to translate the three dimensions in real life onto a two-dimensional drawing surface. the skin, the handkerchief, the metal trumpet , the shirt , and the hair. My goal here was to see how far I could push my charcoal drawing techniques to make the textures look real. I make these changes to add my own personal dramatic effects, and to work within the limitations of charcoal. Gottlieb.)Įven in these cases, however, I make changes to my charcoal drawings so they are not exactly like the photograph. (The photographer here was American jazz photographer, William P. In the few cases where I've done this, I give credit to the photographer. This is one of the few charcoal drawings which I drew directly from a photograph. ![]()
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